Description
7 straight blades.
Stops down to f/16.
Aperture Ring      top
Yes.
Metal.
Full-stop clicks.
Close Focus      top
1.5 feet.
0.45 meters.
Maximum Reproduction Ratio      top
1:6.8.
Angle of View    top
46° diagonal on FX and 35mm.
31.5° diagonal on small-format DX.
Focal Length    top
50mm.
On a small-format DX camera, this lens makes pictures that see an angle-of-view similar to what a 75mm lens would see on a full-frame camera.
Hard Infinity Focus Stop?      top
Yes.
This is great for astronomy; just turn to the stop and you have fixed laboratory-perfect focus all night.
Focus Scale      top
Yes.
Depth-of-Field Scale      top
Yes, colored lines corresponding to the colored f/stops on the aperture ring.
Infra-Red Focus Index      top
Yes: red dot in depth-of-field scale.
Filter Thread      top
52mm, metal.
Does not rotate.
Size      top
Nikon specifies 1.57″ (40mm) extension from flange (1.99″ or 50.5mm overall) by 2.48″ (63mm) diameter.
Weight      top
8.780 oz. (248.9 g), measured.
Nikon specifies 8.8 oz. (250g).
Hood      top
HR-1 rubber.
HS-9 snap-in metal.
HN-7.
Quality     top
Made in Japan.
Teleconverters      top
TC-200/201 and TC-14A.
Price, USA
About $150 used or $470 new, April 2013.
Performance     top
Intro  Specs  Performance  Compared  Usage  Recommendations  More
Overall
It’s softer from spherical aberration wide-open, and built like a tank for a lifetime of great pictures.
Sharpness
f/1.4: Spherical aberration lowers contrast. A lot of coma in the corners making them quite soft. Falloff.
f/2: Much better. Falloff much less.
f/2.8: Quite good, falloff and coma gone. Sharp all over.
Distortion
It has the typical mild to moderate barrel distortion of all of Nikon’s 50mm f/1.4 manual-focus lenses.
Plug these figures into Photoshop’s lens distortion filter to correct the distortion. These aren’t facts or specifications, they are the results of my research that requires a lot of data collection and computation.
FX and Film
DX
at infinity
+1.4
+0.5
Reviews
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